Using Narrative Nonfiction to Teach Multimedia Storytelling

This semester, I am trying something new in my advanced multimedia journalism course. In addition to studying examples of interactive journalism, completing a series of online trainings and tutorials, and conducting their own multimedia reporting assignments, my students will be reading Susan Orlean.

I selected Orlean’s book Saturday Night, which was first published in 1990 and was reissued this year, as one of the primary texts. Saturday Night is a collection of magazine-style feature articles that start with the question, “What makes Saturday night so special?” In her attempt to answer that question, Orlean travels the county and cruises in muscle cars in Indiana, polka dances with seniors in Maryland, interviews homeless people on the Lower East Side, and spends the night in a missile silo in Wyoming.

So what does The New Yorker-style narrative nonfiction have to do with multimedia journalism?

I’m planning to use the book in several ways to help students explore aspects of digital storytelling.

Finding Stories
Most of the subjects in Saturday Night are pretty ordinary, but Orlean’s eye for detail and skillful prose creates wonderfully vivid portraits of everyday life. My students’ assignments will have a similar goal: to find surprising and compelling stories about people and events that rarely make the news.

Insight into the Reporting Process
Orlean is a rigorous reporter and researcher, even when she is writing about a waitress or a babysitter. Also Orlean’s use of the first person provides occasional glimpses into her own process and how she interacts with subjects. My students are always wanting to know how a reporter finds a particular story or conducts herself when she’s doing a story.

Narrative Structure and Techniques
When I think back on own journalism education experience – in a time before the term “multimedia reporting” was invented – I learned the most about the art of storytelling in my magazine writing classes. We studied writers like John Hersey, Gay Talese, Jimmy Breslin, Joan Dideon, Calvin Trillin and Lillian Ross. We learned how to structure a story, set a scene, select the most telling details, and incorporate quotes and dialogue. I’m hoping to bring a feature writing sensibility to the students’ practice of multimedia journalism.

Understanding Multimedia
My students’ assignments incorporate text, photos, audio and video. A key challenge is understanding when to use a particular medium to tell the story in the most engaging way. I have created several exercises in which students will brainstorm how they might translate one of Orlean’s profiles for the digital age. We will storyboard an article and discuss how it might be presented as an interactive feature on the web. Students will apply those concepts to their own work.

A Source of Inspiration (I hope)
This is an experiment. I know that many of the techniques of magazine writing do not translate to gathering audio or shooting video. Students will have three minutes to present a story, not 5,000 words. And many of the cultural references in Saturday Night are dated (i.e., in the future “people will eventually work from their homes via computer workstations and modem hookups.”) However, I’m hopeful that a book like Saturday Night is still capable of inspiring the next generation of journalists.

At the end of the semester, I’ll post an update of what I learn.

Resources for Incorporating Mobile Reporting into a Journalism Course

I’ve been hunting for resources that might help in adding mobile reporting assignments to my exiting courses. Here is a round-up of some guides, tips, articles and advice from instructors and journalists in the field.

Mobile Journalism Reporting Tools Guide – A guide to dozens of services, hardware and apps for on-the-go reporting with social media, photos audio, and video. Compiled for the Reynolds Journalism Institute by Will Sullivan, self-described “journalism nerd.”

7 Tips For Teaching Mobile Media To Journalism Students –  Staci Baird reflects on her experience teaching a course at San Francisco State University, including the suggestion to “forget about offering an entire class that focuses solely on mobile media unless you’re going to concentrate on the technical side of things and students are actually going to create mobile websites or apps.” Also here is a list of links from Baird’s talk at a mobile symposium. (Knight Digital Media Center)

Contemporary News Media – Staci Baird’s syllabus from San Francisco State University

“I teach mobile” Facebook group for journalism educators

A website of an experimental Mobile Reporting course taught by Jeremy Rue and Richard Koci Hernandez at the UC Berkeley Graduate School of Journalism

Reporting live from the scene of breaking news… on an iPhone – Equipped with just an iPhone, a NPR reporter pulls off a broadcast that “might have required days of planning just a few months ago.” (Nieman Journalism Lab)

A reporter’s tale of using Motorola Droid on the job – Nathan Gonzalez, a cops reporter for the Arizona Republic, describes how he used his phone to report each aspect of a law enforcement gun raid. (Technically Journalism)

Former Newspaper Photographer Becomes Mobile, Social Journalist – How Jim MacMillan, a Pulitzer Prize-winning photojournalist, made the shift to mobile. (Poynter)

How One Radio Reporter Ditched His Equipment for an iPhone 4 – Neal Augenstein offers his tips and shows off his homemade jury rigged iPhone mic clip. (Media Shift)

A Few Lessons Learned from Teaching Online Journalism

I recently finished my second year of teaching online journalism to undergraduate students. For me, that means that I have reached a point where I am not perpetually scrambling to prepare for the next class period and have an occasional moment to reflect on how and when some “education” might be taking place.

As I shift to my summer schedule, I wanted to take note of a few general lessons I’ve learned. Most of these are things I came to through trial-and-error, often with instruction from my students.

Lecturing is not the best way to teach that “news is a conversation”
Higher education and journalism are biased toward a “one-to-many” mode of communication; the web is not. In order to understand how journalism works in a digital age, a course on interactive news has to be participatory, conversational and collaborative. In my experience, this can also mean unpredictable and occasionally chaotic, but it is a lot more fun than lecturing everyday.

Follow smart people
My blog roll (see “Sites I Like and Use” on the sidebar) and my Twitter account are my key sources of information on what is happening in the profession and in teaching. If I don’t know something, I turn to those who do.

Don’t assume students are active web users
There is a difference between “passive” and “active” web users. Despite growing up with the Internet, some of my students navigate the web like they watch TV; they surf and consume. Or they only know how to participate within a defined structure like Facebook.

Don’t skimp on HTML and CSS
An assignment to build a simple web page can fill my email box with complaints. Then at the end of the semester, students say they want to learn more coding. So each semester, I give them more.

Raw audio interviews are gold
At the suggestion of veteran online journalism professor Mindy McAdams, I now require students turn in unedited audio recordings of interviews. They take a time to review, but they provide invaluable insight into a student’s interviewing and reporting techniques. I can hear the leading questions, the lack of a follow-up question, or the student reporter who does not allow the subject enough time to tell the real story. I can also tell if the student is interviewing a friend or relative.

Online tutorials are useful, but need follow-up
I use “how-to” online tutorials to free up class time and allow students to learn at their own pace. However, I’ve found that students will rush through them — or skip them entirely — unless they are followed up with some kind of review or assessment.

Experiment first, become an expert later
I used to spend a lot of time explaining a new piece of equipment or software before giving assignments. Now I cover a few basics and get students using it as soon as possible. I cover the more advanced techniques after they have some experience practicing.

The audience can be the best editor
I require that my students publish their work for an online audience (see a previous post It’s Not About the Blog). Despite the potential risks of this practice — like making mistakes in a public forum or having to endure spam and trolls — an online audience can provide a level of feedback that I cannot. Last semester, a student created an interactive map of all of the schools in his town. Eight minutes after it was published online, a reader contacted the student to say one school was missing.

Allow students to pursue a passion
I often ask students to report on subjects that they are passionate about. Some students respond, “I don’t have any passions.” I tell them to use my class as an excuse to find that new passion.  Then, over the course of the semester, I urge students to cover the topic as a “beat,” developing story ideas, cultivating sources, and digging deeper into the subject. It is satisfying to watch a student turn a hobby into an area of expertise. And reporters in the field routinely seek out students who have built up an online portfolio of work on a specific subject and quote them as sources.

Push beyond “write what you know”
While I allow students to write about things that interest them, I also require students to go places and cover subjects that do not interest them. I have found that it is essential to give very specific requirements (i.e. no quotes from anyone 17-25 years old) to get students to move out of their comfort zones.

Expect resistance to convergence
I have instituted convergence projects which require my online journalism students to work alongside broadcast journalism and photojournalism students. I underestimated how intensely students can identify with their particular specializations and can resent having to work with “those TV people.”

Storytelling is hard work
I can teach someone to edit an audio clip, crop a photo or compress a video. Or they can Google it and teach themselves. Teaching students to recognize, report and tell a compelling story is a real challenge, but that seems like a central goal of journalism education.

Students don’t remember PowerPoint presentations
I have now been teaching long enough to get an occasional “thank you” e-mail or note from a former student. While they often mention the content of my courses and how it helped in grad school or on the job, it is clear that interactions and conversations outside of the classroom are as meaningful — and often more significant — than the information I try to convey in the classroom.

Teaching Audio Slide Shows and Soundslides

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The audio slide show – a multimedia piece that combines audio and still photos – is a standard format in most newsrooms and journalism classrooms. And Soundslides, a program created by Joe Weiss, is the standard program used to create them.

Soundslides is so easy to use that it does not require hours of step-by-step tutorials. However, after a few semesters of teaching audio slide shows, I have collected a list of resources that I have found helpful for introducing and troubleshooting the process for beginners.

Examples of Inspiring Audio Slide Shows

For examples of great audio slide shows, I often turn to Interactive Narratives, a clearinghouse for the best of online visual storytelling. The audio slide show can also be a powerful way to profile individuals. For examples of audio slide show profiles, I like the New York Times series One in 8 Million and the Los Angeles Times series pop.u.LA.tion.

When Is an Audio Slide Show the Best Format for a Story?

NewsUniversity has an online course called Five Steps to Multimedia Storytelling. It aims to teach which stories are more suitable for multimedia.

To understand the power – and limits – of an audio slide show, read a Poynter interview with Sounslides creator Joe Weiss. He discusses the potential and some common pitfalls of the format.

Also on the BBC’s College of Journalism blog, Kevin Marsh ponders the question: “Why would you choose a slide show when you could use video?”

How to Use Soundslides

The Soundslides user manual is the place to begin when teaching or trying the program for the first time.

Jeremy Rues has created a nice step-by-step Soundslides tutorial for the Knight Digital Media Center.

Here is a PowerPoint presentation I use to introduce audio slide shows and SoundSlides in the classroom.

Here is the step-by-step instructions I give students for creating an audio slideshow in SoundSlides and coverting it to video file so it can be posted on a blog (in .pdf format).

Also I’ve created a screencast video on how to embed a Soundslides slide show on a self-hosted WordPress blog. This is one of the most common questions I get from students, especially after my class has ended and they are doing their own independent projects.

Tips for Creating a Better Audio Slide Show

To avoid common mistakes, read the post How to Make Your Audio Slide Shows Better by Colin Mulvany.

Mark Luckie lists Five Common Photo Slide Show Mistakes.

Mindy McAdams has two great blog posts on the subject: Tell a Good Story with Images and Sound and Do’s and Don’ts for Slide Shows.

Soundslides Tools

On the Soundslides forum, you can read through questions and issues others have encountered and post your own questions. (I posted a message about a bug last week, and I received a reply within a few hours.)

Soundslides Embed Utility – This tool allows you to post your published slide shows to a blog, or embed them in other pages.

Soundslides Video Converter – This tool converts audio slide shows into an mp4 video file. That way they can placed on sites like YouTube and Vimeo, embedded on free WordPress.com blogs, or viewable on an iPod.